Category Archives: photo series

Henry Wessel. Incidents No. 6

Incidents. Henry Wessel.

Henry Wessel. Incidents No. 5
Incidents No. 5
Henry Wessel. Incidents No. 6
Incidents No. 6
Henry Wessel. Incidents No. 8
Incidents No. 8
Henry Wessel. Incidents No. 13
Incidents No. 13
Henry Wessel. Incidents No. 14
Incidents No. 14
Henry Wessel. Incidents No. 16
Incidents No. 16
Henry Wessel. Incidents No. 25
Incidents No. 25
Henry Wessel. Incidents No. 26
Incidents No. 26

Came across these on tumblr and clicked through to the gallery page. I really like Henry Wessel. I’m not sure exactly why though. It’s not just specific details, his compositions work in ways that I’m not sure can be taught so I just look at all of them and try to absorb what I see.

I also really like how so many of these look to be taken out of moving vehicles—often incorporating the vehicle itself as part of the image. I see all kinds of potential photos while I’m driving but getting everything to work together when doing that is near impossible.

Arthur Tress, Untitled (Coit Tower), 1964

Arthur Tress, San Francisco

In hindsight, we know that Arthur is a talented artist. But in 1964, he was a young man fresh out of school.

James A. Ganz

Arthur Tress, Untitled (Ocean Beach), 1964
Untitled (Ocean Beach), 1964
Arthur Tress, Untitled (City Hall), 1964
Untitled (City Hall), 1964
Arthur Tress, Untitled (Coit Tower), 1964
Untitled (Coit Tower), 1964

Still upset I missed this at the DeYoung. It was nice to be reminded of these when they surfaced again on Lens Blog. When I first saw the information on the show, it felt like a local-interest show. Reading it in the Times, the extra framing of it as sorta-juvenalia of a young artist finding his voice makes it a more interesting presentation to me.

It’s also of course interesting to see it framed as capturing weird San Francisco before it goes extinct but that’s a post for another blog.

Walker Evans. 1955

Common Tools

Week 8: [Crate Opener]

Walker Evans. 1955

I’ve always loved this series of images. Much of what I find appealing about Walker Evans in general is his love of type and letterforms. I’ve always seen his Common Tools photos as fitting perfectly with that mentality. First and foremost these are intended to be used for specific tasks and are the kinds of things that are easily overlooked and ignored unless they’re defective.

David Allee. Domino Sugar Factory.

David Allee, Inside the Domino Sugar Factory

Allee photographed the complex for more than year. He said that while his pictures could not convey the smell of the factory—“crème brûlée mixed with mold and rot”—he hoped to communicate something about its complicated history.

Inside the Domino Sugar Factory

David Allee. Domino Sugar Factory.

David Allee. Domino Sugar Factory.

David Allee. Domino Sugar Factory.

David Allee. Domino Sugar Factory.

David Allee. Domino Sugar Factory.

More ruin porn that I happen to enjoy. As with Ellis Island, I think I like that this project is focused on a specific building with a specific function. Rather than being just “this is old and looks cool,” these photos are trying to investigate and demonstrate how this space has been used over the years.

Also, at an even more basic level, I look at these and find myself thinking about sugar and where it comes from and realizing that, for such an important commodity* I’ve taken it for granted. Heck, it was only after moving to the East Coast and switching from C&H to Domino that I even realized sugar had brands.

*Seriously, think about sugar’s place in US history and US foreign policy, especially in the Caribbean and Hawai‘i.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.

The Rolling Stones—including Brian Jones—relax in Florida in 1965.
Digitally restored private shots of The Rolling Stones—including Brian Jones—relaxing in Florida in 1965.

Came across these on tumblr.* Really really like them. Besides the celebrity appeal, the way these are framed so tightly—I’m guessing a portrait lens rather than a normal lens—jumped out at me as being different than the usual candid snapshots as well as being very much the kind of images of my family that I try and shoot.

*Poking around the web turns up more info but that I still don’t know who the photographer is.