In the end, what he has captured in these pictures might be the unsettling result of people acting on that permission: the casual violence and neon dreams of a nation let loose upon the desert.

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

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

So this series caught my eye a number of different times as different tumblrers selected different images to highlight. Some liked the black and white warehouses. Others liked the color landscapes. Etc. Etc. It’s been interesting to click through* and find that they’re all part of the same project since I’m not used to one project featuring so many different photographic styles—especially all coming from the same photographer.
*Yes. It took more than a few clicks for me to realize this. I think in each case my thought was “wait, the guy who made More?” before putting everything together.
I like the approach. Especially regarding the American West and how it can be simultaneously bleak and lonely and intimidatingly wild and overwhelmingly industrial and overdeveloped and unnatural and crowded. Too much to always shoehorn into one style.
And as someone who shoots all over the place. It’s instructive to see how it is possible to make something coherent out of parts which aren’t visually consistent.